But for this purpose I would definitely suggest lifting the signal before the audio interface or mixer, as I feel the need in more gain for instrumental recording. I have also recorded classical guitar and the result is pleasing, with rich lows and warm highs. But it gets solved when I speak at an angle, which sounds overall very good. The Tech Spec Sensitivity, -51.0dB re 1 Volt/Pascal (2.80mV 94 dB SPL) +/- 2 dB 1kHz Power Requirements, USB Weight (g), 655 Dimensions (mm), 215 (H) x. About this item Dimensions (Overall): 6.78 Inches (H) x 4.29 Inches (W) x 2.44 Inches (D) Weight: 2.6 Pounds Connection Type: XLR Polar Pattern: Cardioids. The PSA1 offers a horizontal reach of 820mm, a vertical reach of 840mm and full 360. This is becomes particularly problematic with proximity, when you directly speak into this microphone. The PSA1 is a studio boom arm for radio, broadcast, studio and home use. The only significant con from my experience is its sensitivity to pop sounds, even if I use original Rode foam cover pop filter, I can definitely hear pop sounds. Intermediate preamps can definitely solve this issue, if you need even higher gain levels (I do not feel I need). With 85% gain you can hear the hiss noise, but it is quite insignificant and easily removed in post production. It is a gain hungry mic, as is expected from the dynamic ones. Likewise, the RDE AI Micro is an excellent audio interface with the versatility offered by two 3.5mm mic inputs and. So far I use without any intermediate mixers or preamps, like Cloudlifter, directly into my Zoom H4n Pro recorder as an audio interface. The new and improved Lavalier II is smaller than ever and virtually invisible. Overall, very satisfied, very well build, solid feel and easy to use with Rode shock mount and arm. I have been using the mic for half a year for my live streams and podcasting.
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